IN 1989, Kashmir changed for ever. Militancy assumed an ugly face in the Valley, altering the lives of Kashmiris and putting a stop to Muzaffar Ali’s ambitious project — Zooni. Ali, then 43, had already made a name for himself through Umrao Jaan and was working on a film about Habba Khatoon, a poetess who lived in 16th century Kashmir and rose to become a queen. Unnerved, he returned to Delhi. Waiting to restart filming Zooni, he began a small project to make films on improving the habitat. At his new office in the Sarai Kale Khan area in south Delhi worked a 20-year-old architecture graduate from Gujarat’s Institute of Environmental Design — Meera Saluja.