IN 1989, Kashmir changed for ever. Militancy assumed an ugly face in the Valley, altering the lives of Kashmiris and putting a stop to Muzaffar Ali’s ambitious project — Zooni. Ali, then 43, had already made a name for himself through Umrao Jaan and was working on a film about Habba Khatoon, a poetess who lived in 16th century Kashmir and rose to become a queen. Unnerved, he returned to Delhi. Waiting to restart filming Zooni, he began a small project to make films on improving the habitat. At his new office in the Sarai Kale Khan area in south Delhi worked a 20-year-old architecture graduate from Gujarat’s Institute of Environmental Design — Meera Saluja.
Tag: Hindu
IN1989, Lal Krishna Advani embarked on his infamous rath yatra to mobilise the kar sevaks. As his procession travelled through north India, communal violence spread, leaving hundreds dead and a country, long known for its secular values, divided on communal lines.
This is when Kajal Sikka, 21, a Punjabi Khatri girl studying economics at Jesus and Mary College, and Aijaz Ilmi, 28, a Muslim boy from Uttar Pradesh who had just come to Delhi after completing his medical studies in Bengaluru, fell in love.